We had 27 wireless mics, a backstage mic, and a pit of 10 people. The sound designer and I worked closely to make the base board file. I ran the cables for the band, which was onstage, hooked up the Rio, ran cables for the Avioms, and ran the line for the offstage mic. I found frequencies for this show using Wireless Workbench and communicated with the venue next to ours about what frequencies they wanted to use and what frequencies we could use. I mixed this show line-by-line on a Yamaha CL1. For this show I supervised a crew of 3 consisting of a QLab board op, and 2 A2’s.